{"id":3944,"date":"2013-04-19T16:25:23","date_gmt":"2013-04-19T16:25:23","guid":{"rendered":"http:\/\/lbpost.com\/articles\/life\/whatever-happened-to-suburban-rhythm-the-unsung-music-of-long-beach-california-part-3-2\/"},"modified":"2013-04-19T16:25:23","modified_gmt":"2013-04-19T16:25:23","slug":"whatever-happened-to-suburban-rhythm-the-unsung-music-of-long-beach-california-part-3-2","status":"publish","type":"post","link":"https:\/\/lbpost.com\/esd\/hi-lo\/whatever-happened-to-suburban-rhythm-the-unsung-music-of-long-beach-california-part-3-2","title":{"rendered":"Whatever Happened to Suburban Rhythm? The Unsung Music of Long Beach, California: Part 3"},"content":{"rendered":"\n<p><em>Ed. note: This is Part 2 of a longform nonfiction piece on Long Beach&#8217;s often-overlooked music scene that eventually became my thesis. <a href=\"https:\/\/lbpost.com\/life\/whatever-happened-to-suburban-rhythm-the-unsung-music-of-long-beach-california-part-1\/#.UW-yjys-s08\" target=\"_blank\" rel=\"noopener noreferrer\">The first part was posted Wednesday<\/a>, and <a href=\"https:\/\/lbpost.com\/life\/whatever-happened-to-suburban-rhythm-the-unsung-music-of-long-beach-california-part-2-2\/#.UXDsAys-s08\" target=\"_blank\" rel=\"noopener noreferrer\">the second was published on Thursday<\/a> <a href=\"https:\/\/lbpost.com\/life\/whatever-happened-to-suburban-rhythm-the-unsung-music-of-long-beach-california-part-1\/#.UW-yjys-s08\" target=\"_blank\" rel=\"noopener noreferrer\">(please read them before moving on; all the parts rely on each other for information)<\/a>. Today, there is a public discussion and panel I will be co-presenting on the topic&#8211;along with Cal State Long Beach&#8217;s American Studies Program Director Brett Mizelle and local musicians Dennis Owens and Marshall Goodman&#8211;as part of the EMP Pop Music Conference being held at USC. For more information on the EMP Pop Music Conference and to see L.A.&#8217;s schedule of talks, visit <a href=\"http:\/\/www.empmuseum.org\" target=\"_blank\" rel=\"noopener noreferrer\">empmuseum.org<\/a>. <a href=\"http:\/\/www.ustream.tv\/channel\/empla\" target=\"_blank\" rel=\"noopener noreferrer\">To live stream the talk, click here<\/a>.<\/em><\/p>\n<p style=\"text-align: center;\"><strong><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-23906\" src=\"https:\/\/lbpost.com\/wp-content\/uploads\/2013\/04\/avibuffalo.jpg\" alt=\"avibuffalo\" width=\"620\" height=\"399\" \/><\/strong><\/p>\n<p style=\"text-align: center;\"><strong>Truth Sets In <\/strong><\/p>\n<p>It was only 10:15PM when the cops showed up. A Long Beach Police Department squad car drove onto the front lawn of the house at 5th St. and Rose Ave. and announced to the living room full of spectators that they were to vacate the premesis. Avi Buffalo\u2014a four-piece Long Beach band of then-high schoolers who had only played three of their intimate indie-rock songs by the time the black and whites arrived\u2014calmly unplugged their instruments and waited for drummer Sheridan Riley\u2019s dad to pull the minivan around.<\/p>\n<p>\u201cSorry guys,\u201d singer and songwriter Avigdor Zahner-Isenberg told the 75-or-so people who had piled into the frequent site of house shows that night in May 2009. Outside, as his band loaded equipment into a navy blue Toyota Sienna under the watchful eye of the police, barely-18-year-old Zahner-Isenberg accepted hugs from disappointed friends talked with his band\u2019s manager, a low-key blonde from L.A. She loves their new material, she said. She sees a lot of opportunities for them on the horizon.<\/p>\n<p>Within a year, Avi Buffalo would be the first Long Beach band to take over the blogosphere\u2014Zahner-Isenberg&#8217;s curly fretwork, world-wise lyrics and pop charm won over harsh critics everywhere from Rolling Stone to Pitchfork even before their self-titled debut album became the soundtrack to 2010\u2019s endless summer.<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/evu_MqAZpC0?rel=0\" frameborder=\"0\" width=\"300\" height=\"169\" allowfullscreen=\"true\" style=\"float: left; margin-right: 10px; margin-top: 5px;\"><\/iframe><\/p>\n<p>The suburban Long Beach teenagers were thrust into the indie-rock pantheon: after signing to Nirvana\u2019s former label Sub Pop Records, Elliot Smith\u2019s buddy Aaron Embry invited them to record at his new home studio in L.A. and before the album was even pressed, they were hand-picked by Pavement\u2019s Steven Malkmus to play at major festival All Tomorrows Parties.<\/p>\n<p>&#8220;Avi\u2019s guitar style is different from every other indie pop guitarist,\u201d Sub Pop\u2019s head of A&amp;R <a href=\"http:\/\/latimesblogs.latimes.com\/music_blog\/2009\/10\/where-the-buffalo-roam-avi-buffalo-signs-to-sub-pop.html\" target=\"_blank\" rel=\"noopener noreferrer\">told the <em>L.A. Times<\/em> <\/a>shortly after signing the band on the hinge of a few Bandcamp demos. &#8220;He\u2019s not just hammering out a bunch of chords, he\u2019s pretty much soloing through his songs with these crazy jazz rounds.&#8221;<\/p>\n<p>Zahner\u2019s skillful, blues-based approach to jangly college radio jams, however, is not the organic product of pre-Internet cultural collisions in late \u201880s urban Long Beach like Sublime, Snoop Dogg or Suburban Rhythm. Nor is it the result of a culturally isolated teenager who uses his bandwith to collide with the world. Avi Buffalo is the songwriting experiments of a naturally gifted Long Beach millennial, who \u201cwas of the age to get really into the Postal Service\u201d and yet grew up listening to his dad\u2019s collection of \u201cweird classic rock and pop stuff\u201d and jamming with old blues musicians in beachside bars.<\/p>\n<p>&#8220;I\u2019m of the downloading-a-bunch-of-music generation,\u201d Zahner-Isenberg admits when we meet for coffee one afternoon, \u201cbut I kind of feel cheated by the fact that everything is so available on the Internet. You\u2019re able to just type in \u2018album, artist, Mediafire\u2019 on Google and that\u2019s all it takes. It\u2019s awesome, but that\u2019s versus everybody else growing up before us who were like, \u2018Oh this is the only way to get this CD and I value it a bunch.'&#8221;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\" alignright size-full wp-image-23907\" style=\"margin-left: 10px; float: right;\" src=\"https:\/\/lbpost.com\/wp-content\/uploads\/2013\/04\/lbmusicpullquote5.jpg\" alt=\"lbmusicpullquote5\" width=\"250\" height=\"349\" \/>It might be easy to lump Zahner-Isenberg in with other musicians around the country starting bands and coming of age in the digital era, but he is still one artist that still could have only come from Long Beach\u2014a city with a penchant for community forever distanced from sonic fads. You\u2019d never know that by scouring any of the numerous pieces about his music that continue to cycle through the press, though. Most of them use \u201cLong Beach\u201d as an adjective not a selling point and instead, the city that created him becomes a fleeting descriptor on the way to more flushed-out thoughts. And that\u2019s if Long Beach is mentioned at all.<\/p>\n<p>Like other artists from this compacted port city, the importance of Zahner-Isenberg\u2019s hometown is never questioned. Even with a news cycle that insists every piece of culture be explored to the depths of its capacity, Long Beach\u2019s influence on the music it has produced is rarely suggested. Though many well-regarded and comprehensive books exist on Southern California music history, it\u2019s a struggle to find evidence of Long Beach in any of them.<\/p>\n<p>Nowhere, for example, in any of the dizzying number of encyclopedic looks into elements of the 1980s hardcore punk movement will you discover that the scene-changing record label SST as well as SST Studios occupied a noisy corner-lot warehouse in Downtown Long Beach for more than 30 years.<\/p>\n<p>Prehaps it required too much of a digression from the atomized myth of South Bay hardcore to explain why SST spent most of its life located 20 miles south of where it first originated or how come the member of Black Flag with the most eclectic music tastes (\u201cHe dug Motown, disco artists, country artists\u2026and adored all kinds of jazz from big band to early fusion,\u201d Michael Azerrad wrote of SST owner Greg Ginn his book <em>Our Band Could Be Your Life<\/em>) felt comfortable cementing business in fiercely diverse Long Beach.<\/p>\n<p>So why is searching for information on the musical history of one of the largest cities in California like searching for a lost boat in the Bermuda Triangle? Is it merely the fault of geography, which shows Long Beach as yet another easily-forgotten municipal wisp on the edges of Los Angeles\u2019 notorious sprawl? Maybe, but the unique makeup of the city implies something more.<\/p>\n<p>Because of its uncommonly high density and diversity, Long Beach\u2019s musical output happens in a drastically different way than it does in L.A. Instead of splintering into separate scenes like singer-songwriter folk rock, lo-fi garage rock, leather jacket cock-rock and socially conscious hip-hop, Long Beach\u2019s close-knit music community operates as a singular scene, one with multiple influences and tastes.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-23904\" src=\"https:\/\/lbpost.com\/wp-content\/uploads\/2013\/04\/LBmusiccollage.jpg\" alt=\"LBmusiccollage\" width=\"620\" height=\"300\" \/><\/p>\n<p>This has blessed Long Beach musicians with open minds and multicultural inspirations, but has also prevented any of them from solidifying around a particular \u201csound.\u201d Good news for musicians looking to branch out, but an unappealing sell for record labels and journalists.<\/p>\n<p>\u201cSublime and Snoop Dogg aren\u2019t from Long Beach in the same way that Nirvana is from Seattle,\u201d says Aaron Carroll, a former manager at record store Fingerprints who grew up in Long Beach. \u201cIt\u2019s easy to say Nirvana is emblematic of a certain style of music that other bands were making in Seattle in the early \u201890s, but Snoop Dogg and Sublime? There was nothing else like it at the time\u2014not even in Long Beach.&#8221;<\/p>\n<p>For Zahner-Isenberg and other Long Beach musicians, the unification of disparate music scenes that would elsewhere be heavily fragmented continues to allow the city to be a natural hotbed of creativity, even when threatened by Internet\u2019s mix-and-match reality.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\" alignleft size-full wp-image-23908\" style=\"float: left;\" src=\"https:\/\/lbpost.com\/wp-content\/uploads\/2013\/04\/lbmusicpullquote6.jpg\" alt=\"lbmusicpullquote6\" width=\"250\" height=\"376\" \/>With a post-genre music scene fueling his preternatural talent, then, it doesn\u2019t seem odd that Zahner-Isenberg returned to Long Beach from European and North American tours and decided to spend a year self-releasing a flurry of trippy, psych-jazz solo recordings. Nor was it weird when he began showing up in a local Baptist church\u2019s Sunday gospel band or making small-time appearances as the low-key guitarist for his friends\u2019 blues, folk, jazz and rock acts.<\/p>\n<p>In Long Beach, it\u2019s entirely normal for a 20 year-old Jewish indie-rocker from the suburbs to play improvised keyboard tracks over pre-programmed hip-hop beats with the old-guard black, Japanese and Latino members of Free Moral Agents.<\/p>\n<p>Even in modern times where young artists can remix the worlds they encounter with the ease of Garage Band, music from this oft-ignored city resonates with a worldy aesthetic that could only be obtained in the diverse cultural laboratory of post-industrial, post-genre, post-mainstream Long Beach.<\/p>\n<p>&#8220;In L.A., there are definitely strong waves of what\u2019s cool\u2014these overwhelming trends,\u201d says Ikey Owens, who is a huge supporter of Zahner-Isenberg and other young local artists. \u201cBut I remember being in the ska scene and that was the downfall of it. You have to work within this singular motif and it\u2019s so limiting. Eventually that leads to everyone dressing the same way, using the same instruments and talking the same way. Bands in Long Beach don\u2019t have that\u2014there isn\u2019t a \u2018sound\u2019 going on here and thank God. You\u2019re not trying to fit into anything so you can be truly creative. Artistically, it\u2019s perfect.&#8221;<\/p>\n<p><em>Revisiting the Long Beach Music Scene is a discussion and panel being held at USC today at 1:30PM. It will be live streamed here:&nbsp;<a href=\"http:\/\/www.ustream.tv\/channel\/empla\">http:\/\/www.ustream.tv\/channel\/empla<\/a><\/em><\/p>\n<p><strong>Read more:<\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/lbpost.com\/life\/whatever-happened-to-suburban-rhythm-the-unsung-music-of-long-beach-california-part-1\/#.UW-yjys-s08\"><strong>Whatever Happened to Suburban Rhythm? The Unsung Music of Long Beach, California: Part 1<\/strong><\/a><\/li>\n<li><a href=\"https:\/\/lbpost.com\/life\/whatever-happened-to-suburban-rhythm-the-unsung-music-of-long-beach-california-part-2-2\/#.UXDsAys-s08\"><strong>Whatever Happened to Suburban Rhythm? The Unsung Music of Long Beach, California: Part 2<\/strong><\/a><\/li>\n<\/ul>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/videoseries?list=PLmyeRr4fPAS24RaqPEoYrMOBwVRIzFkv_\" frameborder=\"0\" width=\"620\" height=\"349\" allowfullscreen=\"true\"><\/iframe><\/p>\n<p><em style=\"line-height: 1.3em;\"><em><\/em><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p><em><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-23904\" src=\"http:\/\/lbpost.com\/wp-content\/uploads\/2013\/04\/LBmusiccollage.jpg\" alt=\"LBmusiccollage\" width=\"620\" height=\"300\" \/><\/em><\/p>\n<p>So why is searching for information on the musical history of one of the largest cities in California like searching for a lost boat in the Bermuda Triangle? Is it merely the fault of geography, which shows Long Beach as yet another easily-forgotten municipal wisp on the edges of Los Angeles\u2019 notorious sprawl? Maybe, but the unique makeup of the city implies something more.<\/p>\n","protected":false},"author":61,"featured_media":69161,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"newspack_sponsor_sponsorship_scope":"","newspack_sponsor_native_byline_display":"inherit","newspack_sponsor_native_category_display":"inherit","newspack_sponsor_underwriter_style":"inherit","newspack_sponsor_underwriter_placement":"inherit","inline_featured_image":false,"newspack_ads_suppress_ads":false,"newspack_popups_has_disabled_popups":"","_EventAllDay":false,"_EventTimezone":"","_EventStartDate":"","_EventEndDate":"","_EventStartDateUTC":"","_EventEndDateUTC":"","_EventShowMap":false,"_EventShowMapLink":false,"_EventURL":"","_EventCost":"","_EventCostDescription":"","_EventCurrencySymbol":"","_EventCurrencyCode":"","_EventCurrencyPosition":"","_EventDateTimeSeparator":"","_EventTimeRangeSeparator":"","_EventOrganizerID":[],"_EventVenueID":[],"_OrganizerEmail":"","_OrganizerPhone":"","_OrganizerWebsite":"","_VenueAddress":"","_VenueCity":"","_VenueCountry":"","_VenueProvince":"","_VenueState":"","_VenueZip":"","_VenuePhone":"","_VenueURL":"","_VenueStateProvince":"","_VenueLat":"","_VenueLng":"","_VenueShowMap":false,"_VenueShowMapLink":false,"_":"","_author_alias":"","cap-aim":"","cap-description":"","cap-display_name":"","cap-first_name":"","cap-jabber":"","cap-last_name":"","cap-linked_account":"","cap-newspack_employer":"","cap-newspack_job_title":"","cap-newspack_phone_number":"","cap-newspack_role":"","cap-user_email":"","cap-user_login":"","cap-website":"","cap-yahooim":"","newspack_article_summary":"","newspack_email_html":"","newspack_email_type":"","newspack_featured_image_position":"","newspack_hide_page_title":"","newspack_hide_updated_date":false,"newspack_post_subtitle":"","newspack_show_share_buttons":"","newspack_sponsor_byline_prefix":"","newspack_sponsor_disclaimer_override":"","newspack_sponsor_flag_override":"","newspack_sponsor_only_direct":"","newspack_sponsor_url":"","newspack_article_summary_title":"Overview:","newspack_show_updated_date":false,"footnotes":""},"categories":[6],"tags":[],"newspack_spnsrs_tax":[],"coauthors":[],"class_list":["post-3944","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hi-lo","entry"],"_links":{"self":[{"href":"https:\/\/lbpost.com\/esd\/wp-json\/wp\/v2\/posts\/3944","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lbpost.com\/esd\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lbpost.com\/esd\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lbpost.com\/esd\/wp-json\/wp\/v2\/users\/61"}],"replies":[{"embeddable":true,"href":"https:\/\/lbpost.com\/esd\/wp-json\/wp\/v2\/comments?post=3944"}],"version-history":[{"count":0,"href":"https:\/\/lbpost.com\/esd\/wp-json\/wp\/v2\/posts\/3944\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lbpost.com\/esd\/wp-json\/wp\/v2\/media\/69161"}],"wp:attachment":[{"href":"https:\/\/lbpost.com\/esd\/wp-json\/wp\/v2\/media?parent=3944"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lbpost.com\/esd\/wp-json\/wp\/v2\/categories?post=3944"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lbpost.com\/esd\/wp-json\/wp\/v2\/tags?post=3944"},{"taxonomy":"newspack_spnsrs_tax","embeddable":true,"href":"https:\/\/lbpost.com\/esd\/wp-json\/wp\/v2\/newspack_spnsrs_tax?post=3944"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/lbpost.com\/esd\/wp-json\/wp\/v2\/coauthors?post=3944"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}