{"id":4778,"date":"2012-01-26T17:14:00","date_gmt":"2012-01-26T17:14:00","guid":{"rendered":"http:\/\/lbpost.com\/articles\/life\/art-theatre-film-review-the-artist\/"},"modified":"2012-01-26T17:14:00","modified_gmt":"2012-01-26T17:14:00","slug":"art-theatre-film-review-the-artist","status":"publish","type":"post","link":"https:\/\/lbpost.com\/esd\/hi-lo\/art-theatre-film-review-the-artist","title":{"rendered":"ART THEATRE FILM REVIEW: &#8216;The Artist&#8217;"},"content":{"rendered":"<p><strong>10:00am | <\/strong>Because we&#8217;re dumb, we never figured out that we should give some proper love and attention to the Art Theatre, the one independent movie theater we&#8217;ve got here in the 36th most populous city in the United States.  <\/p>\n<p> But finally we&#8217;ve gotten wise, and beginning now we&#8217;ll be running reviews of whatever&#8217;s booked there for a run (plus perhaps whatever one-offs we&#8217;re able to preview one way or the other). First up: <em>The Artist<\/em>.  <\/p>\n<p> The framing of <em>The Artist<\/em> is a gimmick: it&#8217;s a 1920s-style silent film &#8212; the period whimsy and dialogue cards, the styles of acting and montage, the orchestral score and film speed (writer\/director Michel Hazanavicius shot at 22 frames per second to achieve the effect) &#8212; centering around good-hearted but prideful silent-film star George Valentin (Jean Dujardin) as he is confronted by the advent of &#8220;talkies.&#8221;  <\/p>\n<p> But gimmicks don&#8217;t automatically mean second-rate art. Tom Stoppard&#8217;s <em>Rosencrantz and Guildenstern Are Dead <\/em>is framed by the gimmick of making two minor characters from Hamlet the stars, with action from the play that spawned them wandering on- and off-stage &#8212; and it&#8217;s genius.  <\/p>\n<p> <em>The Artist<\/em> is not genius. In fact, it&#8217;s quite simple. But that&#8217;s a merit here, not a shortcoming. Hazanavicius has succeeded in resurrecting an aesthetic &#8212; style, substance, technique. We usually think of time machines as transporting us to another era. But what if a piece of that era could be transported to the present? Hazanavicius has emulated such a chronological maneuver. <\/p>\n<p> Of course, 2012 is technologically more advanced than 1927-1932, and Hazanavicius has employed several modern developments to full effect. Though black-and-white, <em>The Artist<\/em> was shot digitally, which makes it far sharper than any film from the era it emulates. And <em>The Artist<\/em> is lit with a glorious control that could only have been dreamt of by even the greatest technicians of that bygone cinema (Lang, Vertov, Eisenstein). <\/p>\n<p>Cinematographer Guillaume Schiffman is a shoo-in for an Oscar &#8212; a prize he comes close to earning with one spectacular shot of a drink poured on a table.  <em>The Artist<\/em> is receiving a tremendous amount of buzz, much of which seems to me to come from its novelty. As a piece of filmic narrative, it&#8217;s a nice enough story, though I didn&#8217;t find myself especially invested in Valentin or his guardian angel &#8211;adorable, generous young starlet Peppy Miller (B\u00e9r\u00e9nice Bejo) &#8212; nor in the predictable plotline. (Hazanavicius has pretty much pilfered a couple of elements from Sunset Boulevard.)  <\/p>\n<p> But there are plenty of cute details. And a clever dream sequence. And craftsmanship that won&#8217;t quit. So if you walk away from <em>The Artist<\/em> without finding anything to like, well, you weren&#8217;t looking very hard.  <\/p>\n<p> But even in that case, you&#8217;ll still realize you&#8217;ve just seen something new.   <\/p>\n<p><center> Art Theatre of Long Beach <br \/> 2025 E. 4th Street, Long Beach, CA 90804 <br \/> (562) 438-5435 <br \/><a target=\"_blank\" href=\"http:\/\/arttheatrelongbeach.com\" rel=\"noopener noreferrer\"> arttheatrelongbeach.com<\/a><\/center><\/p>\n<p><img decoding=\"async\"  alt=\"\" style=\"margin: 1px; border: 1px solid black; width: 660px;\" src=\"https:\/\/lbpost.com\/wp-content\/uploads\/2012\/01\/m_image1327578549-93200.jpg\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Because we&#8217;re dumb, we never figured out that we should give some proper love and attention to the Art Theatre, the one independent movie theater we&#8217;ve got here in the 36th most populous city in the United States. <\/p>\n","protected":false},"author":20,"featured_media":69821,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"newspack_sponsor_sponsorship_scope":"","newspack_sponsor_native_byline_display":"inherit","newspack_sponsor_native_category_display":"inherit","newspack_sponsor_underwriter_style":"inherit","newspack_sponsor_underwriter_placement":"inherit","inline_featured_image":false,"newspack_ads_suppress_ads":false,"newspack_popups_has_disabled_popups":"","_EventAllDay":false,"_EventTimezone":"","_EventStartDate":"","_EventEndDate":"","_EventStartDateUTC":"","_EventEndDateUTC":"","_EventShowMap":false,"_EventShowMapLink":false,"_EventURL":"","_EventCost":"","_EventCostDescription":"","_EventCurrencySymbol":"","_EventCurrencyCode":"","_EventCurrencyPosition":"","_EventDateTimeSeparator":"","_EventTimeRangeSeparator":"","_EventOrganizerID":[],"_EventVenueID":[],"_OrganizerEmail":"","_OrganizerPhone":"","_OrganizerWebsite":"","_VenueAddress":"","_VenueCity":"","_VenueCountry":"","_VenueProvince":"","_VenueState":"","_VenueZip":"","_VenuePhone":"","_VenueURL":"","_VenueStateProvince":"","_VenueLat":"","_VenueLng":"","_VenueShowMap":false,"_VenueShowMapLink":false,"_":"","_author_alias":"","cap-aim":"","cap-description":"","cap-display_name":"","cap-first_name":"","cap-jabber":"","cap-last_name":"","cap-linked_account":"","cap-newspack_employer":"","cap-newspack_job_title":"","cap-newspack_phone_number":"","cap-newspack_role":"","cap-user_email":"","cap-user_login":"","cap-website":"","cap-yahooim":"","newspack_article_summary":"","newspack_email_html":"","newspack_email_type":"","newspack_featured_image_position":"","newspack_hide_page_title":"","newspack_hide_updated_date":false,"newspack_post_subtitle":"","newspack_show_share_buttons":"","newspack_sponsor_byline_prefix":"","newspack_sponsor_disclaimer_override":"","newspack_sponsor_flag_override":"","newspack_sponsor_only_direct":"","newspack_sponsor_url":"","newspack_article_summary_title":"Overview:","newspack_show_updated_date":false,"footnotes":""},"categories":[6],"tags":[],"newspack_spnsrs_tax":[],"coauthors":[],"class_list":["post-4778","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hi-lo","entry"],"_links":{"self":[{"href":"https:\/\/lbpost.com\/esd\/wp-json\/wp\/v2\/posts\/4778","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lbpost.com\/esd\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lbpost.com\/esd\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lbpost.com\/esd\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/lbpost.com\/esd\/wp-json\/wp\/v2\/comments?post=4778"}],"version-history":[{"count":0,"href":"https:\/\/lbpost.com\/esd\/wp-json\/wp\/v2\/posts\/4778\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lbpost.com\/esd\/wp-json\/wp\/v2\/media\/69821"}],"wp:attachment":[{"href":"https:\/\/lbpost.com\/esd\/wp-json\/wp\/v2\/media?parent=4778"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lbpost.com\/esd\/wp-json\/wp\/v2\/categories?post=4778"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lbpost.com\/esd\/wp-json\/wp\/v2\/tags?post=4778"},{"taxonomy":"newspack_spnsrs_tax","embeddable":true,"href":"https:\/\/lbpost.com\/esd\/wp-json\/wp\/v2\/newspack_spnsrs_tax?post=4778"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/lbpost.com\/esd\/wp-json\/wp\/v2\/coauthors?post=4778"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}