Photo courtesy of the Anti-Defamation League. Edited by Brian Addison.
As hate crimes across the nation are purportedly surging post-election—prompting the Los Angeles City Attorney’s office to up its fight against white supremacist gang Peckerwoods in the Valley while schools report on the “Trump effect” of hate rhetoric appearing on campuses nationwide—it behooves Long Beach to know of its own place in the history of white power ideology.
Long Beach is the birthplace of the nation’s first hybrid street-prison gang Public Enemy No. 1 (PEN1 or PENI), which is also one of the nation’s most violent white supremacist gangs.
We have previously spoken about the danger of the normalization of white supremacist symbology as well as the Long Beach community staunchly standing by its Muslim American neighbors as a proposed registry by President-Elect Trump looms. Indeed, knowing history is becoming paramount: A&E recently announced a Generation KKK reality series that many fear will continue to normalize racist ideology and rhetoric—something that has already appeared throughout 2016 with the rise of Trump.
A&E is no stranger to white supremacist gangs, including PEN1, having covered the gang in a documentary series called Gangland in 2010 and prompting lawsuits over its allegedly unethical revealing of sources and former members.
That precise reason is why we have kept the quotes in this article anonymous. Other past members or affiliates who have spoken of PEN1 on the record have resulted in dangerous if not outright lifetaking situations. One of its most profiled cases was that of Scott Miller, one of the founding members of PEN1, who was executed in the back of the head with a 9mm handgun by Michael Allen Lamb and Jacob Anthony Rump on March 8, 2002, after giving a Los Angeles Fox News affiliate an on-camera interview.
Miller, like many during the initial forming of PEN1, wasn’t necessarily one filled with hate but, at least initially, a punk. In fact, the name of the group comes from the 1980’s British punk band Rudimentary Peni (with no formal connection).
“Scott Miller was my friend, yes,” said a non-member and old school punker. “His nickname was ‘Scottish.’ Started off as a tough surf punk kid and, as his rep grew, he got caught up in his own fantasy of what being tough really meant. When we were about 19, he shot the leader of the [L.A. Death Squad, aka LADS] and after that he became, like, a god to all those Huntington Beach skinheads. It went downhill from there.”
“Fender’s Ballroom in Long Beach in the fuckin’ 80s? Shit was like a weekly UFC fight. Anyone who was anyone in a gang would go there, beat the shit out of each other… People ended up getting stabbed and shot so the place got shut down.”
The punk scene—one which originated on the East Coast in anti-authoritative, progressive ideals that espoused a deep intolerance toward hatred—became snarled in violence when it arrived in Los Angeles, particularly between 1983 and 1986.
Authors Heath Mattioli and David Spacone noted in their already seminal Disco’s Out, Murder’s In!, an account of Frank the Shank’s rise to power via the La Mirada Punks (LMP), that the punk scene in LA became a synonymous term with violence.
What the book reflects in the quote above is how many got swept up in the dark side of it all. Frank the Shank, in his own words, celebrated the 30 years that LMP online before the publishing of his book:
can you belive [sic] that LMP has been running La Mirada since 1977, we have been around since punk-rock began. new york influenced it, england started it, Los Angeles made it hard-core and the LMP made history of it !
From Frank to VICE—which noted in their own interview with Mattioli and Spacone that guys from “the 80s DC scene got beat up a lot, but then they came to L.A. and saw an even more aggressive scene”—to one of our own sources, each have noted that LA marked the geographic point where violence took over punk.
“It’s funny,” said one source. “I grew up a middle class kid [on the East Coast] but when I moved here to Long Beach as a teenager, I was dropped in the middle of a lot of insane things. Being a punker back home, we were just kinda arty weird kids into fun aggressive music but out here it was intense. Tons of gangs like LMP or FFF [Fight for Freedom, a gang that drew bafflement from the LAPD], drugs, and plain, all-out lunacy.”
Even Scotty Wilkins, singer of Verbal Abuse, noted in American Hardcore: A Tribal History:”I was in the LADS. […] Guns started to get involved. I remember sitting across from Perkins Palace in Pasadena, with a few dudes from FFF. They started passing out guns and I was like, ‘I’ll see you later.’ […] It was all pretty stupid. That’s why I left in 1983 for San Francisco.”
It is this glorification of violence that proved Miller’s murder of an LADS member so potent: LADS, which had intimate ties as allied with LMP in their beginnings, started in Hollywood in the early 1980s as a punk gang that fought with everyone from the Suicidals from Venice to Long Beach’s own Vicious Circle. Come a few years down the road, a guy called Gangster started the South Side LADS (S.S. LADS), representing the greater Long Beach are and Orange County with a mixture of whites and Latinos. This marked their turn into a full-fledged gang operation: selling drugs, home invasion, violence…
The ultimate result was a convoluted mess of identities, missions, and philosophies. Following the murder by Miller, some of the S.S. LADS joined PEN1 or the far more powerful Aryan Brotherhood, while the Latinos separated into full-on barrio gangs and furthering the racial divide.
This made Long Beach—in between Hollywood and OC—one of the hotbeds for gang violence.
“Fender’s Ballroom [in Long Beach] in the fuckin’ 80s?” said a former member of LADS. “Shit was like a weekly UFC fight. Anyone who was anyone in a gang would go there, beat the shit out of each other. Toward the end, the SOS [aka Sons of Somoa, a Long Beach-based gang that was an extension of the Crips] got involved… People ended up getting stabbed and shot so the place got shut down.”
It earned the club the name Fender’s Brawlroom.
This made sense: Fenders operated during the peak of violence in the punk scene, from 1984 to 1989, and with acts ranging from Black Flag to the Descendents, GWAR to The Adolescents, Bad Religion to Sublime. To top it off, methamphetamine—”snort’n’smoke mounds of it before and during shows,” according to one former LADS member—along with ringers and slammers (the name given to those who shot cocaine) and smoking sherms (cigarettes dipped in PCP) only added to the insanity and lack of clarity in an already hostile situation.
“When all that gang shit started, that killed everything,” said Shawn Stern of Youth Brigade. “Everybody was fighting with each other. People started carrying guns to shows. I was promoting Fender’s shows and we’d have shootings. It sucked. I mean, kids punching each other is a fact of life. The fights in the early days, most of the time, were one-on-one, plus it was about something.”
PEN1 thus simultaneously gained power but lost it: as the artists of the punk scene—from Henry Rollins, who denounced it from the get-go to Jack Grisham of T.S.O.L., who admitted he contributed to it—began to see it as a tangible detriment, PEN1 had to move operations. As it slowly left its Long Beach roots and headed south into Orange County during the 90s, it became more notorious, more violent, led by its obsession with speed trafficking, prostitution, and identity theft as they recruited “latchkey kids”—bored, upper-middle class white kids.
However, the execution of Miller marked a significant growth in PEN1. According to the Anti-Defamation League (ADL), PEN1’s increasing strength stems to a large degree from its ability to “position itself as a white power criminal organization capable of operating both on the streets and in the prison yards as foot soldiers for older, more established white supremacist prison gangs, such as the Aryan Brotherhood.”
One of our sources puts it this way: “Part of the reason [PEN1] grew in prison is that the Aryan Brotherhood is a validated prison gang and thus members are put in the SHU [i.e. Special Housing Unit, otherwise commonly known as solitary confinement]. Somebody had to run the whites on the main yards so it got passed to the Nazi Low Riders and, once they got validated [as a prison gang], it went to PEN1… When I see them at the Observatory [in Santa Ana], it still turns my stomach [but people told me] it’s too hard to identify them and it’s impossible to have a dress code enforced at punk shows. You don’t really see them in Long Beach unless the come in for a random show. It’s always been more of an OC thing even though it’s early roots were here.”
In short: after the Aryan Brotherhood was state-designated a prison gang—and thus dwindling its power through harsher sentencing that equally dwindled operations like drug sales—the Low Riders acted as foot soldiers for the Aryan Brotherhood, helping connect it to the drug world and beyond.
However, the Low Riders soon earned the same designation, sending their key members to the SHU, prompting PEN1 to take over since they are not technically a prison gang according to California Department of Corrections guidelines. A prison gang is defined as a group that is developed in prison and exists for the purposes of inside activity, although foot soldiers on the outside are not uncommon. Those harsher sentences we mentioned? Auto-assignment to the SHU, prompting segregation from the rest of the population. (A regular inmate can only be sentenced to the SHU if he or she is a threat to institutional security or has been rigorously proven to be an associate of a prison gang.)
The result? A rise in clout for PEN1.
“It’s funny… I grew up a middle class kid on the East Coast but when I moved here to Long Beach as a teenager, I was dropped in the middle of a lot of insane things. Being a punker back home, we were just kinda arty weird kids into fun aggressive music but out here it was intense. Tons of gangs, drugs, and plain, all-out lunacy.”
This was cemented by Donald Reed “Popeye” Mazza, one of the leaders of PEN1 and the founder of the PEN1 Death Squad (PDS) as well as one of its three members given SHU sentences; Nick “Droopy” Rizzo and Devlin “Gazoo” Stringfellow joined Mazza due to their connections to the Aryan Brotherhood and Low Riders. Mazza’s creation of the PDS was a major turn in PEN1’s history: to be a member, one had to murder an enemy.
Mazza is serving time in one of California’s most notorious maximum security prisons, Pelican Bay. The state’s Pelican Bay prison lies just eleven miles from the Oregon border in 275 acres of remote countryside and forest. Having opened in 1989 at a cost of some $220M, it was once now home to over 3,400 inmates in 2007, significantly more than it was intended to house; it now holds roughly 2,200 inmates.
Mazza eventually earned his “dancing shoes” with the Aryan Brotherhood in the the summer of 2005 at Pelican, meaning he was an official member of the Brotherhood and further adding to the clout of PEN1 on both the inside and out. Between 2004 and 2007, PEN1’s ranks doubled to an estimated 400 members.
This surge in clout and membership brought about two major blows to PEN1’s operations from law enforcement agencies that decade, specifically 2006 and 2010.
A 10-month-long investigation in 2006 into PEN1 led by the Anaheim Police Department resulted in the arrest of 67 alleged members of the gang across 75 locations. With 300 officers from more than two dozen federal and local law enforcement agencies, the operation was sparked by the discovery of a hit list held by PEN1 leaders that eyed an Orange County prosecutor and five police officers in different departments.
Orange County would launch its biggest assault on PEN1 in 2010, dubbed “Operation Stormfront” after the large white supremacy message board of the same name. Led by the arrest of 34 alleged members, county, state, and federal investigations resulted in three related state indictments that named 14 defendants on charges including extortion, conspiracy and solicitation of aggravated assault and murder.
This, however, has not deterred PEN1’s prone to violence. The work of OC Weekly—particularly that of journalist R. Scott Moxley—has documented this most heavily, showing that outright pettiness, psychopathy and murder, drug abuse and sociopathy, snitching being rewarded by law enforcement, lawsuits over identity, and other nightmares are the name of the PEN1 game.
Most recently, Craig Tanber—just months after being released from prison in June 13, 2015 after agreeing to a plea deal in 2007 that landed him six years in prison for voluntary manslaughter—allegedly stabbed 22-year-old Shayan Mazroei in the upper torso multiple times outside a bar in Laguna Niguel on September 8 of that same year. The case divided a community, with family members urging to charge the crime as a hate crime and prosecutors saying they lacked evidence that the crime was race motivated.
Earlier this year, one of PEN1’s most disturbing violators of human decency, Billy Joe Johnson, was sentenced to death. He was not only involved in the murder to Miller but two other murders, Clyde Nordeen (killed with pick axe) and Cory Lamons (killed with a claw hammer and the murder with which Tanber was connected with). The latter murder was intended to simply be a “torturing,” with Johnson trying to extract information about the location of allegedly stolen money. Using a claw hammer as a tool to smack Lamons upside the head, Johnson didn’t realize that the trauma he was causing with his hits were life threatening.
PEN1 now mainly operates out of Orange County.
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